Yours immutably,
GILBERT MARKHAM.
We have just returned to Staningley - that is, we returned some days ago, and I am not yet settled, and feel as if I never should be. We left town sooner than was intended, in consequence of my uncle's indisposition - I wonder what would have been the result if we had stayed the full time. I am quite ashamed of my new-sprung distaste for country life. All my former occupations seem so tedious and dull, my former amusements so insipid and unprofitable. I cannot enjoy my music, because there is no one to hear it. I cannot enjoy my walks, because there is no one to meet. I cannot enjoy my books, because they have not power to arrest my attention: my head is so haunted with the recollections of the last few weeks that I cannot attend to them. My drawing suits me best, for I can draw and think at the same time; and if my productions cannot now be seen by anyone but myself and those who do not care about them, they possibly may be, hereafter. But then, there is one face I am always trying to paint or to sketch, and always without success; and that vexes me. As for the owner of that face, I cannot get him out of my mind - and, indeed, I never try. I wonder whether he ever thinks of me; and I wonder whether I shall ever see him again. And then might follow a train of other wonderments - questions for time and fate to answer, concluding with: - supposing all the rest be answered in the affirmative, I wonder whether I shall ever repent it - as my aunt would tell me I should, if she knew what I was thinking about. How distinctly I remember our conversation that evening before our departure for town, when we were sitting together over the fire, my uncle having gone to bed with a slight attack of the gout.
I am now quite settled down to my usual routine of steady occupations and quiet amusements - tolerably contented and cheerful, but still looking forward to spring with the hope of returning to town, not for its gaieties and dissipations, but for the chance of meeting Mr. Huntingdon once again; for still he is always in my thoughts and in my dreams. In all my employments, whatever I do, or see, or hear, has an ultimate reference to him; whatever skill or knowledge I acquire is some day to be turned to his advantage or amusement; whatever new beauties in nature or art I discover are to be depicted to meet his eye, or stored in my memory to be told him at some future period. This, at least, is the hope that I cherish, the fancy that lights me on my lonely way. It may be only an ignis fatuus, after all, but it can do no harm to follow it with my eyes and rejoice in its lustre, as long as it does not lure me from the path I ought to keep; and I think it will not, for I have thought deeply on my aunt's advice, and I see clearly, now, the folly of throwing myself away on one that is unworthy of all the love I have to give, and incapable of responding to the best and deepest feelings of my inmost heart - so clearly that even if I should see him again, and if he should remember me and love me still (which, alas! is too little probable, considering how he is situated, and by whom surrounded), and if he should ask me to marry him, - I am determined not to consent until I know for certain whether my aunt's opinion of him or mine is nearest the truth; for if mine is altogether wrong, it is not he that I love; it is a creature of my own imagination. But I think it is not wrong - no, no - there is a secret something - an inward instinct that assures me I am right. There is essential goodness in him; - and what delight to unfold it! If he has wandered, what bliss to recall him! If he is now exposed to the baneful influence of corrupting and wicked companions, what glory to deliver him from them! - Oh! if I could but believe that Heaven has designed me for this!